In the ancient world, Africans knew where everything was, more or less. They had enormous ships of ingenious design that could cross the oceans with ease. It has been long known that Africans and later Vikings both probably discovered parts of the Americas long before Western Europeans arrived there bringing war. It’s true. Africans seemed to consider the Americas full of good destinations for fair trade, and they didn’t stop at crossing the Atlantic. They traveled everywhere, discovering landmass after landmass.
Doing past life work last year, I uncovered reports from King Solomon of ancient Israel (reign circa 970–931 B.C.) that he was aware (during his lifetime) of many West Africans knowing about every continent besides Australia, and that they could describe where they were and what they were like, along with islands in every ocean, and had done trade most everywhere. He also reported that the designs of their ships were proprietary to specific trade guilds and kept secret, and that you could not buy them.
Carvings of mysterious objects that look like vehicular machines at the Temple of Seti I at Abydos
At the Temple of Seti I at Abydos in Egypt, there are famous carvings depicting mysterious objects that many people have speculated to be early aircraft, technological prophecy, or UFOs. The carvings resemble vehicles. My process as a shaman has uncovered that the carvings in question may depict highly sophisticated seafaring ships from other kingdoms in Africa outside of Egypt. The kings of Egypt did not have any such ships, but perhaps felt that they could in a sense “own” them by having them carved in relief at the temple, according to what we know of the ancient Egyptian belief system. King Seti I (reign circa 1294–1279 B.C.) named himself after Set, a god of immigrants and foreign lands, and perhaps it stands to reason that he might have shown particular interest in foreign technologies. These carvings may be the best surviving record of what those astounding ancient African vessels really looked like.
──── by Lync Dalton ────
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